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Off to the Races :s:

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Published:
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Description

My old man is a bad man but
I can't deny the way he holds my hand
And he grabs me, he has me by my heart
He doesn't mind I have a Las Vegas past
He doesn't mind I have an LA crass way about me
He loves me with every beat of his cocaine heart

Swimming pool glimmering darling
White bikini off with my red nail polish
Watch me in the swimming pool bright blue ripples you
Sitting sipping on your black Cristal
Oh yeah

Light of my life, fire of my loins
Be a good baby, do what I want
Light of my life, fire of my loins
Give me them gold coins, gimme them coins

And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Ready for you

My old man is a tough man but
He's got a soul as sweet as blood red jam
And he shows me, he knows me
Every inch of my tar black soul
He doesn't mind I have a flat broke down life
In fact he says he thinks it's why he might like about me
Admires me, the way I roll like a Rolling Stone

Likes to watch me in the glass room bathroom, Chateau Marmont
Slippin' on my red dress, puttin' on my makeup
Glass film, perfume, cognac, lilac
Fumes, says it feels like heaven to him

Light of his life, fire of his loins
Keep me forever, tell me you own me
Light of your life, fire of your loins
Tell me you own me, gimme them coins

And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth

Now I'm off to the races, laces
Leather on my waist is tight and I am fallin' down
I can see your face is shameless, Cipriani's basement
Love you but I'm going down
God I'm so crazy, baby, I'm sorry that I'm misbehaving
I'm your little harlot, starlet, Queen of Coney Island
Raising hell all over town
Sorry 'bout it

My old man is a thief and I'm gonna stay and pray with him 'til the end
But I trust in the decision of the Lord to watch over us
Take him when he may, if he may
I'm not afraid to say that I'd die without him
Who else is gonna put up with me this way?
I need you, I breathe you, I never leave you
They would rue the day I was alone without you
You're lying with your gold chain on, cigar hanging from your lips
I said "Hon' you never looked so beautiful as you do now, my man."

And we're off to the races, places
Ready, set the gate is down and now we're goin' in
To Las Vegas chaos, Casino Oasis, honey it is time to spin
Boy you're so crazy, baby, I love you forever not maybe
You are my one true love, you are my one true love

You are my one true love


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ffffffffffffff how do you even edit type in DA anymore omg

best pic I think so far, especially since kissing scenes are impossible every other time

The song totally fits

Also, I know there are a couple of minor mistakes but ffffffff YOU TRY IT!

Phali should be a tad bit shorter, but I see it as that she had to stretch herself a bit backwards so ahwell

Enjoy~ might finish later

Dimitri Morte (c) :iconachird:
Phali Bynessi (c) :iconmisty-t-h:
Image size
2157x2500px 2.21 MB
Comments3
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shimmyshammy's avatar
This is a lovely piece of work that certainly shows a significant increase in your development of the workings of male and female anatomy, not only that, but this piece demonstrates an improvement on your understandings into character interaction and story telling.  What really strikes this piece at first is the improvements you've made to the body language and anatomy of the characters. It feels much more fluid in how the characters move and twist in motion and certainly amplifies the story aspect of this piece well. THe more realistic take on them kissing is designed well through the anatomy and as mentioned the way you've twisted the upper and lower half of the bodies is much stronger than before, additionally, other additions such as the position of the arms in how one supports themselves against the door frame and the other natural has their arms sway to perhaps soon to embrace the others increase the atmosphere nicely. It's these little touches that can allow for a concept to really shine and also give the viewer another focus to understand more about the emotions of the characters and perhaps if they both share a connection/story than just being romantic at the time.  These are little indications of your improvements as an artist and certainly growing in how to reflect more in your work through the little touches now than compared to older pieces of work.  Clearly you have grown a lot and have understood a lot more about how to express what you want to say within your drawings, connecting them through a song, film or just what you are feeling at the time.

Keep it up.